牌匾又称招牌、匾额,小小的一方匾额,融入了中国的辞赋诗文、书法篆刻、建筑等艺术,集字、印、雕、色为一体。
吴昌硕匾额作品美不胜收!
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe08w3yIKnmm.jpg)
去思图
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0Db2JmIHHH.jpg)
八石齋
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0E06LzRqBa.jpg)
信天居
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0ECBtF0yiw.jpg)
印心籮
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0EO2Zk5dd3.jpg)
其曰可讀
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角茶轩
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蘿煙松月之齋
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陸舟水屋
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0IRI9Yuzn8.jpg)
鄰春山房
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0Ie1FzH8fZ.jpg)
西泠印社
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0IrH5KaQom.jpg)
小花園
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0LoCqQHiY7.jpg)
花好月圓人壽
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0M2ELhSzWl.jpg)
消遙遊
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0MF8q8WfLB.jpg)
籥廬
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0MRFrCkvx4.jpg)
懷德惟明
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0MbFdbMsNW.jpg)
见虎一文
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0P62Vw6KvN.jpg)
亦难双室
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0PJ7MnXYIM.jpg)
心以风鸣
![吴昌硕写的匾额,美不胜收](https://www.dushu263.com/wp-content/uploads/2020/01/RSwe0PV16L6bWI.jpg)
岩壑夔龙
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平安竹报
吴昌硕(1844-1927),初名俊,又名俊卿,字昌硕,又署仓石、苍石,号缶庐、苦铁等,浙江安吉人。
吴昌硕,我国近代金石、书、画大师,他的篆刻从浙派入手,后专攻汉印,也受邓石如、吴让之、钱松、赵之谦等人的影响。
吴昌硕,31岁以后,移居苏州,来往于江浙之间,阅历大量金石碑版、玺印、字画,眼界大开。后定居上海,广收博取,诗、书、画、印并进;晚年风格突出,成为一代宗师。
吴昌硕,在篆刻上的成就,对我国篆刻艺术有着划时代的意义,主要是他把诗、书、画、印熔为一炉,开辟篆刻艺术的新境界。
吴昌硕,成就主要来源于艺术的修养和思想,表现在诗熔于印、画熔于印、书熔于印。
吴昌硕,篆书个性极强,印中的字饶有笔意,刀融于笔。他的篆刻常常表现出雄而媚,拙而朴,丑而美,古而今,变而正,的特点。
吴昌硕,著有《缶庐集》《缶庐印存》等。
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